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If the machine of the White Cube wants to hoard wealth and gatekeep our memories, then our only response is a schizoanalytic sabotage: to keep our desiring flows messy, loud, and oily, long after the gallery lights have been turned off.
Journal of Visual Culture editorial collective member and editor of its online magazine Eray Çaylı speaks with curator Dicle Beştaş about the exhibition "Sediment/Xilt" which she co-curated with Başak Şenova.
